The Voyage of the Dawn Treader

12 Dec

 

Unlike ‘Tron: Legacy’, I actually had very high expectations for ‘The Chronicles of Narnia: The Voyage of the Dawn Treader’. Only last week I read a short review claiming ‘Dawn Treader’ to be the best Narnia movie so far – quite like with each Harry Potter movie that comes along – so naturally my expectations rose.

There were some major changes in the plot concerning the book in which the movie was based – and not for the best either, in my honest opinion. I mean, green mist… really?! I wasn’t particularly fond of the myth of the seven swords either. Besides, blue glowing swords and green misty islands unnecessarily remind me of ‘The Lord of the Rings’.

Georgie Henley and Skandar Keynes (I simply love his name!) give nice, consisting performances as usual, their roles having been slightly enhanced from the book from what I can remember; but Will Poulter is really the one who gives this movie an added well-deserved star. In fact, to be quite honest Poulter’s character Eustace was always half the fun of this book for me anyway – and he is so in the movie as well. The biggest downsize I suppose is that we don’t get as much insight into Eustace’s hilarious thoughts in the movie apart from the succinct excerpts he scribbles down in his journal.

Caspian’s hispanic accent was dropped, although I’m not sure why; Reepicheep was voiced by Simon Pegg instead of Eddie Izzard from ‘Prince Caspian’ – also not sure why – and Drinian is… well, not how I imagined him at all – though that may just be consequential of my Narnia role playing days.

The storyline is pretty straightforward and easy to follow – a plus for the younger audiences – even if the story felt rather rushed at times. Lucy, Edmund, Eustace and Reepicheep are all nicely weaved into the movie’s main arch: Lucy’s concerns about not being as beautiful as Susan as she grows older, Edmund struggling with the ghosts in his past and never being measured by his true worth, Eustace – the Pevensie’s priggish cousin – coping with the discovery of the magical land of Narnia, and Reepicheep’s endearing encouragement of Eustace that brings forth the seemingly most unlikely of heroes. Ironically, it’s Caspian and the rest of the Dawn Treader’s crew that feel most disconnected from the plot.

The illustrations in the end titles were a nice touch. It was lovely to see Edmund, Caspian and Eustace as they were intended to be: the first two blond and the latter dark haired. It’s silly stupid fan obsessive annoyance, I realize, but quite refreshing all the same – not to mention a lovely homage to Pauline Baynes, illustrator of the entire Narnia series, hand-picked by Lewis himself.

Now I’ve read a couple of reviews saying the 3D in this movie is bad, which doesn’t surprise me in the least. As psyched as everyone seems to be with the recent outbreak of 3D technology – myself NOT included, let it be clearly stated – almost all of recent movies either shot or transformed into 3D don’t seem to live up to expectations. Not warned in advance yet already expecting the 3D effects to be something of a letdown – as I do in all 3D movies – I (rather cleverly, if I may say so myself) searched for a 2D screening – as I did with ‘Harry Potter and the Deathly Hallows: Part 1′, which I shall yet to review. That being the case, I cannot personally review the 3D aspect of ‘Dawn Treader’.

All in all good entertainment for the whole family; even with all the plot changes it’s guaranteed to please laypeople and Narnia-lovers alike. I’d definitely catch this on cinemas a second time if I could afford it. And I know nothing of talks to produce the next installment of the series, but it would be absolutely lovely to see ‘The Silver Chair’ make it to the big screen! Besides, they were sly enough to insert a wonderful treat right in the last scene by mentioning Jill Pole, so you never know… Wishful thinking from me, for sure!

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Tron: Legacy

10 Dec

Last Tuesday I attended a preview screening of ‘Tron: Legacy’ in 3D at the Vue West End, courtesy of Sky. Apparently – and this is news to me – they sometimes offer rewards, contests and general treats to Sky customers, which sometimes include special screenings of films that are yet to be released to the general public. Given you’re lucky enough to book any tickets, they’re completely free of cost. I missed out on a preview screening of ‘Voyage of the Dawn Treader’ last week, but was fortunate enough to manage a pair of tickets for ‘Tron: Legacy’.

Now to be fair I’ve never actually seen the 1982 prequel, but ‘Tron: Legacy’ seemed very disconnected to me. I didn’t find the characters at all involving and found the plot to be very confusing. I don’t feel enough explanation was offered and rather felt the visuals were prioritized over screenplay – but then I can’t be sure all of what I felt was missing wasn’t explaining in the prequel, though I can only assume it was not.

Garrett Hedlund and Olivia Wilde offer underwhelming performances as Sam Flynn and Quorra, Michael Sheen stars as the flamboyant Castor (aka Zuse), and James Frain plays the confusing Jarvis. Jeff Bridges returns as Kevin Flynn and also plays CLU, a program designed to act as an exact replica of Flynn himself.

But while acting-wise ‘Legacy’ may have fallen flat, the production design seems to have gotten something right. The movie evokes a strong 80′s look, which seems highly appropriate considering the prequel takes place in 1982. As far as the 3D however, arguably it was even more unnecessary than Tim Burton’s ‘Alice in Wonderland’ – I can honestly only remember a handful of scenes where the 3D technology was even employed.

While hardcore fans may very well enjoy this movie, I didn’t so much and instead left the screening feeling rather… confused.

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Birdsong: exclusive pre-show Q&A

6 Dec

Got this wonderful invite in my inbox today, but am gutted I won’t be able to attend as I’ll be working until 8pm on Thursday – GAH!!

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Social Media Call – Black Watch

4 Dec

Last Tuesday I had the pleasure of attending a social media call for ‘Black Watch’, the National Theatre of Scotland’s renowned production, now on a renewed run sporting an all-new cast. Unfortunately, the London weather wasn’t very generous and only a handful of all those who had originally signed up to attend actually made it to the Barbican. Meeting up at the Stage Door and taken backstage we were briefed by director John Tiffany to the two scenes we would be watching. Part of the initiative and purpose of the social media call to help divulge and spread the love, we were allowed and encouraged to take photos and make videos of up to 2 minutes during the performance.

It was all quite overwhelming to be honest. In a good way. In a great way. The whole backstage feel was really what attracted me in the first place. That and the Scots – such nice and welcoming people! Now unfortunately I can’t state much on the performance itself as I was preoccupied with taking half-decent photos and keeping the videos to a maximum 2-minute footage. Besides, the scenes weren’t particularly long, so adjusting the camera settings was enough to throw me off. That being said I was and continue to be highly interested in the play. Personally, historic pieces are always a big hit with me, more so if they have any sort of war background. Tickets are a bit pricey – £35 / £40 – so I don’t know about actually attending the show, which is a shame, but alas reality. I should also note there was a lot of strong language, which personally doesn’t bother me in the least, but is definitely not for the faint-hearted.

Afterwards there was a brief Q&A with cast and crew members, which was also nice. But of course I always feel like the stupidest person alive in these situations (I’ve attended Q&A’s on other occasions) because I can never think of a particularly clever question to pose, which translates into me refraining from asking anything at all. Though even with a public of only about half a dozen, there’s always someone putting their hands up – which I imagine must be gratifying to the cast and crew, so kudos to those of a more spontaneous nature – I’d hate to think those involved in the play to come out of this whole daunting effort thinking no one enjoyed it – which wasn’t the case at all.

Venturing the mini-blizzard was definitely worth it. I would strongly encourage anyone to attend a social media call should they ever be presented with the opportunity – even more so if you’re into the whole backstage/behind-the-scenes gig as I am. As for ‘Black Watch’, I’d give them my blessing just for the endearing effort of engaging the public – well done! And for those who can afford it, I would certainly encourage them to purchase a ticket for the play!

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White London

2 Dec

London has been seeing quite a bit of snow in the past couple of days. While this seems to bring on a certain amount of chaos as Britain is apparently utterly unprepared to deal with even the slightest of snowflakes, it’s nonetheless amazing! I do hope, for all intent and purpose, to get a very white Christmas!!

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Badenheim 1939

29 Nov

Friday night was theatre night and my fifth play of 2010. The play in question: ‘Badenheim 1939′ at the Silk Street Theatre in the Guildhall School of Music & Drama. Featuring the entire company of final year actors with Guildhall musicians performing live score, the play is based on Aharon Applefield’s novel of the same title with a – surprise, surprise – World War II backdrop.

An allegorical satire, the play focuses on a small Jewish Austrian town, Badenheim, hosting its annual arts festival that is hampered by the ‘Sanitations Department’ as they slowly begin to shut down the town and prepare its residents for an uncertain move to Poland. It is 1939 and the locals cannot fathom the horrors humanity is capable of. Plagued by a foolish optimism bordering ignorance, the community seems blind to their impending doom.

At times there seems to be far too much happening on stage, but for a mere £8 (£4 concessions) this is well worth checking out. The play premiered on Friday and is showing until 1 December at 7.30pm, with some additional matinée performances.

 

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Cologne Christmas Market @ the Southbank

27 Nov

Londoners, be sure to check out the Cologne Christmas Market at the Southbank until 23 December. Cut the bitter cold with some mulled wine, savour the famous (and delicious) German bratwurst, and do some Christmas shopping with an assortment of hand crafted gifts and memorabilia to choose from, all in traditional German wooden chalets. Well worth checking out!

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